What Are DVAG Folks Up To? http://www.dvarchivists.org/wire/feed en-us http://blogs.law.harvard.edu/tech/rss Sweetcron lgrimm@drexelmed.edu On the Edge of Discovery: The Orphans of the Battlefield http://www.dvarchivists.org/wire/items/view/649 The soldier fell beside the road; he knew he was mortally wounded. Taking his last breath he gazed at an ambrotype image of his three little children. Oh if only….   The Battle of Gettysburg had taken its grim toll and the next day the soldier was found clutching the ambrotype. No time to figure out his identity, he and thousands of others needed to be buried and quickly.  The ambrotype was taken from the dead soldier by a tavern keeper’s daughter who discovered his body.  She took the ambrotype to her father who put it on display in the tavern. Dr. John F. Bourns, who stopped by the tavern on his way to assist with the wounded in Gettysburg, was intrigued by the image. He wanted to see if he could identify the soldier by publishing it.  When Bourns returned to Philadelphia, he had photographer H. C. Phillips copy the ambrotype for publication as a carte-de-visite or photographic visiting card (CDV). He also had an article published in the Philadelphia Inquirer October 19, 1863 describing the image and asking for information. The touching story was picked up by other newspapers around the north. The image soon became an iconic symbol of all the children who were orphaned by the war. Although the technology was not available at the time to publish photographs in the newspaper, the description was good enough that one day Dr. Bourne received a letter. Philinda Humiston thought that the ambrotype sounded like one she had sent to her husband a few months ago.  She had not heard anything from him after the Battle of Gettysburg. Dr. Bourns sent her a copy of the carte-de-visite to verify the picture. There Mrs. Humiston saw the faces of her children, Franklin age 8, Frederick age 4 and Alice age 6. The fallen soldier was her husband, Sergeant Amos Humiston of the 154th New York Volunteer Infantry Regiment.  The CDV of the Humiston children became one of the most widely circulated images finding its way into many family albums. A ballad titled “The Children of the Battlefield” popularized its story. The copy of the CDV in CCHS collection is in an album from the Talbot/Jones family.  

       The proceeds from the initial sale of the CDV were given to Mrs. Humiston who was struggling to support her family. Later, Dr. Bourns sold it as a fund raiser for the establishment of the National War Orphan’s Homestead in Gettysburg in 1866. The Humiston children attended the school, and Philinda Humiston found employment there.  Today if you go to Gettysburg, you can see an historical marker and the grave of Sergeant Humiston whose story has touched so many.  If you want to learn more about this story, Mark H. Dunkleman has done a masterful job researching this story in his book: Gettysburg’s Unknown Soldier: The Life, Death and Celebrity of Amos Humiston.  Pamela Powell, Photo Archivist

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Tue, 15 May 2012 15:16:00 -0500 http://www.chestercohistorical.org/photoarchive/?p=230
The Daily Princetonian is digitized and keyword searchable http://www.dvarchivists.org/wire/items/view/648 The Princeton University Archives, working in conjunction with the Princeton University Library Digital Initiatives, has nearly completed a monumental project that will change the way researchers investigate University history.  The student newspaper, The Daily Princetonian, has been digitized from its inception in 1876 through 2002.  The site has been available in beta for almost two years, but all issues will be loaded as of June 30, 2012.  Named in honor of the newspaper's long-serving production manager Larry Dupraz, researchers are able to perform sophisticated keyword searches that can unlock the vast richness of the daily newspaper that documents so much of the University's history. (For the years 2002- present, users may search online via the Daily Prince site.)"I wrote my final paper for my Freshman Writing Seminar about how the presence of veterans on Princeton's campus following World War II affected Princeton's academic environment and social atmosphere," said Jennifer Klingman '13. "My research heavily relied on The Daily Princetonian archives, and I had to spend a lot of time and energy searching for relevant articles in Firestone's microform versions of the newspaper. It was difficult to comb through the articles, and as a result my research was limited in scope. This spring, I wrote my history department junior paper on academic and social changes taking place at Princeton during the late 1940s and 1950s. The online Daily Princetonian archives proved to be invaluable. I was able to access the archives anywhere and at any time, and use the archives' search function to find a number of extremely useful articles. My independent work has definitely benefited from the existence of the online archives."Freelance journalist W. Barksdale Maynard '88 states "I am able to write about the social history of Princeton in an entirely new way and have restructured my research to take full advantage of this exciting new resource.  For my Princeton Alumni Weekly article on the early history of automobiles at Princeton, the Dupraz Digital Archives allowed me to identify every reference to cars as early as 1901, to pinpoint who owned them and what kinds.  I would never have attempted this article without The Dupraz Digital Archives."Maynard's PAW colleague, Gregg Lange '70, regularly uses the site for his column, "Rally Round the Cannon," which examines and appraises University history. "You can piece together the story of Princeton football or Woodrow Wilson in a dozen ways.  But the unique accessibility of a daily publication allows more subtle topics to arise and recede, and for cross-generational tales to emerge.  Be it Ella Fitzgerald singing at a Princeton dance at age 19, then receiving an honorary degree 54 years later; or student revolts against the clubs' Bicker selection system in 1917 and 1940 presaging its loss of monopoly in 1968, the combination of detail and long view is indispensable in understanding the ethos of the institution over time, and essentially inaccessible without the DuPraz technology and precision. And existentially, if I never see another microfiche in my life I will die a happy man."Maynard added, "My regular column in PAW, "From Princeton's Vault," has benefited enormously.  Recently I was able to identify the earliest references to Princetonians as "tigers," which had been guesswork previously.  It turns out we were wrong by a decade. This has been an international project, with the newspapers sent from Princeton to Brechin Imaging in Canada, where TIFF images are generated using high end German cameras.  The files are then sent via a hard drive to Cambodia, where Digital Divide Data analyzes the structure of each page and uses an optical character recognition (OCR) program to derive machine-readable text, which allows for keyword searching. The hard drive is then shipped to Austin, Texas, where the US office of New Zealand company DL Consulting loads the data into a content-management system called Veridian, which supports searching and browsing, online reading, article extraction and printing, and other features.  Within the library, many hands have worked for this project's success.  At Mudd Library, project archivists Dan Brennan and then Adriane Hanson have overseen the day-to-day work of the project, managing the shipment of the newspapers to Brechin, as well as supervising students with the quality control phase.  University Archivist Dan Linke raised the funds from various University and alumni sources and coordinated the project.Within the greater Library system, Cliff Wulfman, the Library's Digital Initiatives Coordinator, took the lead in writing the Request for Proposals and then selecting and coordinating the work with DDD, as well as providing technical assistance, support and vision.  The Library System Office's Antonio Barrera designed the front end web page with Phil Menos providing server support.The project employs the METS/ALTO markup standard, the same used by the Library of Congress's Newspaper Digitization Project, which means that as software changes and improves, we will be able to sustain this resource for many years to come.

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Mon, 14 May 2012 08:00:00 -0500 http://blogs.princeton.edu/mudd/2012/05/the-daily-princetonian-is-digitized-and-keyword-searchable.html
On The Edge of Discovery: The Mystery of Civil War Nurse Rebecca Pennypacker Price http://www.dvarchivists.org/wire/items/view/647 Mrs. Rebecca Lane Pennypacker Price When the Civil War began, the people of Phoenixville responded to their country’s call in a big way. The Phoenixville Artillerists were organized by Captain John R. Dobson (Company G.  First Pennsylvania Reserve Infantry) and Mrs. Rebecca Price organized the Union Relief Society of Phoenixville. Little did she image as she sewed uniforms for the men that she would  later became a nurse for the wounded at Gettysburg.  In CCHS library collection is a fascinating memoire written by Mrs. Price in the 1890s to share the story of her service during the Civil War with her son.  Mrs. Price and about 100 women from Phoenixville, sewed shirts, knitted “pulse warmers” and gathered non-perishable foods for the servicemen. They heard from other organizations that donations were not always distributed to the neediest. Thus, the Union Relief Society decided to send representatives – Mrs. Price and Miss Mattie Jones to accompany and distribute the food and clothing.  Knowing that two women would not be welcomed on the battlefield, David Reeves of Phoenix Iron Works obtained a pass for them from Governor Curtin.  The two women got on the train in Phoenixville with a load of boxes and barrels of goods. It was no easy path to Wind Mill Point in Virginia where a field hospital had been established for the Army of the Potomac.  Here the women went to work cooking meals, distributing clothing and visiting the sick. They originally thought they would be there for about two weeks, but ended up remaining many months until all the patients were discharged.   In one notable incident, a patient named Harry Cook, asked Price for some lemonade. The surgeon forbid him from having any, saying that it would kill him. The surgeon did not expect this patient to live. When the doctor was gone, Price gave Cook the lemonade. The next day the Surgeon could not believe how the patient had rallied – “It’s like a miracle” he said. Then it was revealed what Price had done. The Surgeon then gave her a free hand to minister as she saw fit.   Pass issued to "Beckie Price" to travel to Harrisburg July 11, 1863 That was only the beginning of her work; one of her subsequent trips took her to Gettysburg to the Eleventh Corp Hospital. Here she soon found herself holding an umbrella over a patient who was having an amputation. She pitched in wherever needed and was unconcerned with her own comfort and safety.    The big mystery is where is her photograph?  The newspaper halftone image included here came from The Repository, published in Louisville, Ohio, August 25, 1907. A researcher there was hoping that CCHS had a copy of the original photo. He had discovered an article telling the story of  how Price had nursed Major August Vignos after his arm was amputated at Gettysburg.  His clothing was so blood soaked it was thrown away by the doctors. When it was time to leave the hospital, Mrs. Price gathered together enough garments and a pair of slippers to send him on his way home. After the war the two corresponded and exchanged CDVs.  Undoubtedly she corresponded with many others, so her carte could be in many family albums in the northeastern U.S.!  If you have her image in your collection please let CCHS know, we would love to include the story of the plucky nurse in the forthcoming exhibition “On the Edge of Battle: Chester County in the Civil War” this fall.  Pamela Powell,  Photo Archivist

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Fri, 04 May 2012 15:40:00 -0500 http://www.chestercohistorical.org/photoarchive/?p=221
Redpath’s Illustrated Weekly: a rare find http://www.dvarchivists.org/wire/items/view/646 In late 1879, James Redpath looking for a project that would both interest him and provide a living. For 25 years Redpath had a varied career as an abolitionist, reporter, publisher, lobbyist, superintendent of schools in the reconstruction south, social activist and entertainment mogul. Redpath had sold his Lyceum booking agency several years earlier and was recuperating from an accident. He proposed to The New York Tribune that they send him to Ireland where he could regain his health while reporting on social conditions in that country. Though born in Scotland, Redpath became interested in uncovering the causes of the famine that had swept Ireland in the late 1870’s. The Tribune agreed to his proposal and during 1880 and 1881, Redpath made three trips to Ireland, sponsored in part by The Tribune and The Boston Pilot, to ascertain the causes of the famine. While in Ireland, he became a supporter of Charles Stewart Parnell and the Irish Land League, and a staunch opponent of the landlord system that kept the Irish people in poverty. During these years, Redpath wrote numerous articles and delivered lectures throughout the United States supporting the cause of Irish land reform and, eventually, Irish freedom. Reacting to the pro-English stance of most American newspapers concerning Ireland, in July 1882 Redpath bought the New York based newspaper McGee’s Illustrated Weekly from its publisher, Maurice Francis Egan and determined to make it a vehicle to support land reform in Ireland and promote Irish independence. July 15, 1882 issue of McGee's Illustrated Weekly noting the sale of the paper to Redpath. The first issue of the newly named Redpath’s McGee’s Illustrated Weekly appeared July 22, 1882.

Redpath’s editorial comments in the first issue clearly declared the pro-Irish temper of the paper: “I shall try to make this journal an interpreter between American and Irish friends of liberty. As soon as Americans know the true story of Ireland they will support her in every wise effort to overthrow the despotic rule of England.”

By the third issue, published on August 5, 1882, Redpath had deemed the title too confusing and shortened it to Redpath’s Illustrated Weekly. Though founded as an activist newspaper devoted to the cause of reform in Ireland, the paper also covered Irish culture in general with sections such as “Pictures of Irish Life” and illustrations of prominent Irishmen, Irish-Americans and “friends of Ireland.” Redpath’s opposition to English rule in Ireland and the large Anglo-Irish landlords he saw as responsible for Ireland’s misfortune branched into other articles in his newspaper such as anti-landlordism in New York City and opposition to English imperialism in Egypt. The paper also supported other social causes such as women’s suffrage, civil service reform and the labor movement. Depictions of tenement housing in New York City   Illustration showing British imperialism in Egypt Redpath also realized that a newspaper devoted primarily to Ireland and social reform may have  limited appeal, so he tried to broaden its readership by including humorous pieces, domestic and foreign news blurbs, sheet music, poems and serialized novels. At times the paper also included a Boys and Girls Department and a Ladies Department. Section devoted to women's fashion Changing financial circumstances and lack of interest in Ireland and social issues caused gradual changes in the newspaper’s format and content. With the February 24, 1883 issue, the name of the newspaper was shortened further to Redpath’s Weekly. This reflected the reduction in the number of illustrations due to rising publication costs. By August 1883, the paper had become more literary and less a vehicle for Irish freedom and social activism with more space devoted to serialized fiction, including French and Russian works translated by associate editor, Jeremiah C. Curtin. Included were perhaps the earliest serializations of stories by Jules Verne. These changes, however, were not enough to save the paper and the last issue of Redpath’s Weekly was published on August 23, 1884. This 1883 issue included Part II of Verne's "The American Robinson Crusoe"   PAHRC has the most complete run of Redpath’s Illustrated Weekly. The paper has also been digitized as part the Digital Library @ Villanova University. To view the digitized issues click here.   References: McKivigan, John. Forgotten Firebrand: James Redpath and the Making of Nineteenth Century America. Cornell University Press, Ithaca and London. 2008.

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Fri, 04 May 2012 09:44:00 -0500 http://www.pahrc.net/index.php/redpaths-illustrated-weekly-a-rare-find/?utm_source=rss&utm_medium=rss&utm_campaign=redpaths-illustrated-weekly-a-rare-find
On the Edge of Discovery: Local Man Witnesses Lincoln’s Assassination http://www.dvarchivists.org/wire/items/view/645 The Apotheosis of Lincoln, carte-de-visite, 1865 Kennett Square native, Isaac G.  Jaquette, Jr, witnessed Lincoln’s shooting in Ford’s Theatre on April 14, 1865. The assassination of President Abraham Lincoln, five days after the surrender at Appomattox was a defining moment in America’s history that plunged the nation into a deep state of mourning.  A telegram from U.H. Painter’s collection says it best:  West Chester April 15 [1865] To Phila. Inquirer, Our jubilant and joyous feelings over our late victories have been suddenly averted by the sad and horrible intelligence of the assassination of our beloved Chief magistrate every place public or private in the town is closed, bells tolling a solemn sound and the manifestation of grief beyond all description.  Signed S. M. P. [Samuel M. Painter]

 This widely distributed CDV (carte-de-visite or photographic visiting card) of Lincoln ascending to heaven the in the arms of Washington found its way into the albums of many Chester County residents. According to photo historian William Darrah, this carte was known as “the apotheosis [glorification] of Lincoln” and was on the market one week after the assassination. CCHS’s copy has no photographer information, indicating that was probably a pirated copy. Photographs of Lincoln, John Wilkes Booth and the other conspirators sold briskly.  That brings us to the story of a local person who witnessed history unfold. Isaac G. Jaquette, a saddler from Chatham, had served in Co H. 42nd Regiment Pennsylvania Volunteers, known as the Bucktails. He had been wounded at Chantilly Virginia and was discharged by Surgeon’s certificate September 15, 1862.  After the war he received an appointment as a clerk in the Adjutant General’s Office of the War Department and moved his family to Washington, D.C.  It was on that fateful night in April that Jaquette was seated in the dress circle opposite Lincoln’s box in Ford’s Theatre. He could see the Lincolns with Major Rathbone who accompanied them when General Grant was called away on short notice to New York.  Jaquette recounts the scene in an article published in the Daily Local News, July 28, 1892, “The play was nearly through when the report of a pistol was heard…Lincoln had dropped his head on his arms apparently to rest them when suddenly there was a great shriek from Mrs. Lincoln, then a man jumped over the front of the box..”   Jaquette describes seeing Booth leap to the stage, injuring himself in the process. At first he thought it must be part of the play, but then pandemonium breaks out.  “I and some others went up into the box after the President was carried out…” Jaquette describes seeing the preparations Booth had made to accomplish the deed including a whole cut in the wall that was wallpapered over to disguise it. He found a heavy stick which he used as a brace to hold the door closed once he entered the box.  “The stick..had dropped to the floor, and as they carried the President out his blood had nearly covered it. I picked it up and took it home.”  It was common for people in that era to collect “souvenirs” but this very gruesome one was in reality an important piece of evidence in the case against Booth and his accomplices. A week after the assassination, Jaquette learned that the soldiers were searching his rooms for the bloody stick. When he returned home, Jaquette was arrested. Detective Baker interviewed Jaquette, thinking he was another accomplice, instead he found a willing and credible witness. The pair went to Ford’s Theatre where Jaquette showed the detective what he observed when he visited the President’s box just after the shooting. Luckily, Jaquette was released and later was a witness at Booth’s trial. The stick was retained as evidence.  This and other fascinating stories will be part of “On the Edge of Battle: Chester County in the Civil War” this fall.  Pamela Powell, Photo Archivist  

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Fri, 27 Apr 2012 15:07:00 -0500 http://www.chestercohistorical.org/photoarchive/?p=211
Archivist presents ACLU processing at MARAC http://www.dvarchivists.org/wire/items/view/644 Recently project archivist Adriane Hanson presented some of her work at the recent spring conference of the Mid-Atlantic Regional Archives Conference (MARAC) (www.marac.info) in Cape May, NJ.  The topic of her talk was how she is handling the size of her current project, processing 2,500 linear feet of the records of the American Civil Liberties Union Records in a two year project funded by the National Historical Publications and Records Commission (NHPRC).In a nutshell, this feat is accomplished by:1. Stay on top of the schedule through careful project management, collecting metrics to have realistic data on how long each task requires, and frequently revisiting and adjusting the timeline of the project.2. Be flexible about the workflow, examining the way you have always done things and adjusting as needed to better work with a massive collection.3. Think of it as data management.  Use tools to repurpose data from one step of the project to another, and to analyze and transform the data once the box inventories are complete.4. Spend extra time writing descriptions about each part of the collection to provide the researcher with important keywords to search for and context to understand the significance of the section.  But do not spend time on description that is not aiding in searching, such as lists of document types in the collection inventory.  Time should be spent on value-added description. The slides and text for her presentation are available here.If you have any questions for her, you can reach her by email:  ahanson@princeton.edu

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Tue, 17 Apr 2012 11:16:00 -0500 http://blogs.princeton.edu/mudd/2012/04/archivist-presents-aclu-processing-at-marac.html
On the Edge of Discovery: Civil War POWs near West Chester?! http://www.dvarchivists.org/wire/items/view/643 It is amazing how much of Civil War history of Chester County, PA can be told through the CDV (carte-de-visite or photographic visiting card) collection at CCHS.  I pulled out a file indexed on Prisoners of War and held in my hand a piece of the history of Camp Elder, not far from West Chester. This group of photos is sure to be featured in On the Edge of Battle: Chester County and the Civil War opening October 18, 2012.   N. W. Wheeler, Lieut. 1st W. Virginia Cavalry (later Captain) was one of the POWs at Camp Elder in 1863. Although no Civil War battles were fought in Chester County, PA, the Battle at Gettysburg was too close for the comfort of the residents. According to personal accounts, the sound of gun fire resounded on the local hills. Hard to believe they could hear the cannons from 115 miles away? Think about it, there was no noise pollution from traffic and airplanes. Remember how quiet it was after 9-11 when there was no air traffic for a week? I can believe it.  After the Battle of Gettysburg some of the wounded and prisoners of war came to Chester County.  Here were six CDVs of men who were sent to Camp Elder. I had heard of Camp Elder, but looking at the CDVs and learning their story was fascinating.  After Gettysburg, both sides had taken large numbers of prisoners, neither side was prepared to feed and house so many men. So according to an honor system, each side was to guard its own prisoners and promise to not permit them to return to duty until a prisoner exchange agreement could be worked out. Captain McIrwin of Illinois, Commandant of Camp Elder   This is a real deal for the soldiers who did not have to face going to any one of the deplorable Confederate prisons such as Andersonville, etc. However, they did not see it that way. They wanted to fight and resented the company of emergency militia from Philadelphia who guarded the camp.  The most interesting account of Camp Elder has been recounted by John Heed which can be found in the West Chester Daily Republican on December 16, 1891.  In 1863 Heed was a young boy, working on the farm of Enoch T. Williams on Little Shiloh Road in Westtown Township clearing brush.  It was a lonely job, with only the cows and birds nearby, any maybe a passing townsperson in a carriage once and a while. Suddenly, on the road were 2,000 men in uniform!  Heed jumped behind a tree, thinking that maybe they were the Rebels invading the county! Soon he was to discover that they were Union Prisoners of War, who were sent to camp on the land he was clearing.  You can read his whole detailed account in the newspaper story reproduced at the end of this blog.  The six CDVs in CCHS collection were donated by Anna Mary Heed Earle, the daughter of John C. Heed.  He swapped CDVs with the soldiers he befriended, some at the time, and others through correspondence after the war. George Clime of Lebanon County served with the State Militia and was a POW at Camp Elder    Camp Elder only lasted a month, when Union commanders decided that the Confederates were not meeting the terms of the agreement and released the POWs back to fight with their units.  Some of the wounded soldiers were taken into private homes to recuperate. The soldiers and townspeople made a lasting bond and continued to correspond through the years. The experience of meeting the soldiers made an impact on John Heed that he remembered all his life, symbolized by the treasured cartes-de-visite.  Pamela Powell, Photo Archivist  

 

         

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Tue, 17 Apr 2012 10:01:00 -0500 http://www.chestercohistorical.org/photoarchive/?p=189
On the Edge of Discovery: Chester County Civil War CDV Photographers http://www.dvarchivists.org/wire/items/view/642 Isaac Pennypacker Renshaw, photo by Ralph F. Channell of Phoenixville Who were the photographers who made CDVs (photographic visiting cards) for the people of Chester County during the Civil War?  Some were itinerant staying for a few months, while others established studios in the larger towns and villages. Here is a listing of some of the photographers collectors will find from Chester County.  Photographer E. R. Frederick had a studio in Penningtonville (which became Atlgen in 1875) between 1864-1866.  John M. Branson, served both Coatesville and Valley township from 1862-1865.  Downingtown had S.S. Griffith’s traveling wagon stop to take tintypes and CDVs there in 1862.  Thomas Lewis made CDVs in Kennett in 1862-1863. While in Kennett Square W. G. Hannum operated a long running studio from 1857 – 1874. He briefly partnered with John Branson during the 1860s.  Thomas Lissett traveled around New London and southern Chester County in his traveling wagon between 1863 and1865. It was easier for him to travel to his customers in this region of rural crossroad villages.  Alexander McCormick was the studio in Oxford, operating from 1862 – 1896.  The steel town of Phoenixville kept a number of photographers busy as men left for war. Lewis Horning, conducted a studio there in 1862. He was followed by Isaac Clegg in 1863 and M. B. Yarnell in 1863-1864. William West was there briefly in 1864. Ralph F. Channel opened his studio in 1864 and kept his formula for success going into the 1880s.  Unionville was busy enough to support two photographers, W. G. Barton in 1862 and Robert W. Butler in 1863.  The town of Waynesburg, which changed its name to Honey Brook in 1876, was a good stop for a number of photographers. D. Haas and Samuel Lucus took portraits there in 1862. Wallace & Craig opened a studio in 1864, which Alexander Wallace continued alone in 1865.   Being the county seat, West Chester was the photographic hot spot of the county. Nathan Parker had been in business there since 1856, welcomed the soldiers from Camp Wayne to his studio. When Parker died August 17, 1861, Samuel R. Fisher purchased his studio and continued the business to 1863. Unidentified Civil War Officer, CDV by Eber Woodward before 1864. Can you help us identify him?Another studio in the town at the time was that of Eber Woodward who was established in 1854, mainly as a daguerreotypist and ambrotypist until the CDV came along. Woodward was a major studio through 1867. There were a few buildings in West Chester that owners fitted up with sky-lights to rent specifically for photographers. One such site was above Worrall’s Book Store at 7 E. Gay Street saw a succession of renters: Duval & West in May of 1864; C. Alfred Garrett until 1865; Shrieves and Battin in November of 1865; and Battin & Finney in 1866.  A.A. Anderson opened up his “Union Gallery” at 13 W. Gay St. over Thomas Travilla’s Store in 1864. It must have been a preferred spot because C. Alfred Garrett moved in when Anderson moved out in 1866.  Please note that the streets were renumbered in 1879, so these addresses do not match present day street numbers.  The building on the southeast corner of High and Market Street, sometimes known as the Darlington Building or Darlington’s Store had space for a photographer’s studio on the top floor. The succession of renters included: Charles Duval who advertised as photographic chemist in 1863; F. McCutcheon in 1864, who used R.T. West and S.R. Fisher as operators; Odiorne & Shrieves in 1865; and J. S. Beecher in 1867 advertised “None so cheap, none so good.”  Taylor's Advertisement from the Village Record June 27, 1863 One of the most prominent studios in West Chester was that of Thomas W. Taylor. He reopened for business in June of 1863 after serving in Co. E. 124th Regiment of the Pennsylvania Volunteers. During his nine months service Corporal Taylor saw action in Chancellorville and Antietam.  His studio was at in Townsend’s building known as the “Old Stand” on the south side of Gay Street between High and Church Streets.  Taylor was in business there into the 1890s.  Others who made CDVs in West Chester briefly were Edward Pyle, R. B. Mulford,  R.M.J. Reed and E. Smedley.  I hope that this information may be helpful for collectors who wish to supply a date to CDVs in their collections. If you have any names I don’t have, please let me know. We hope to place a new list of Chester County photographers on the website soon. Pamela Powell, Photo Archivist

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Fri, 06 Apr 2012 16:01:00 -0500 http://www.chestercohistorical.org/photoarchive/?p=178
Digitizing the Halvey Photograph Collection, Step One http://www.dvarchivists.org/wire/items/view/641 As a volunteer at PAHRC, I’ve been most excited about beginning the process of reformatting the Robert and Teresa Halvey Photograph Collection. Currently in the inventory cataloging stages, the ultimate goal is to digitize the entire collection and make the images available online. For over sixty years, Robert Halvey is well known for having served as a freelance photographer for the Catholic Standard and Times, often as a volunteer.  His career began in the 1930’s, taking photos for the Roman Catholic High School newspaper and neighborhood newspaper The Kensington Critic. He was then a U.S. Army photographer during World War II, for which he received a Legion of Merit, and later a staff photographer for Pennsylvania Hospital. Halvey's award winning photo of Mother Teresa at Philadelphia’s Eucharistic Congress, 1976 Having never discarded a photo, the collection contains negatives from the entirety of Halvey’s career, from 1935 to 1999. These images capture presidents, popes, entertainers, as well as everyday participants in Philadelphia Catholic life. In addition to photos taken for The Catholic Standard and Times there are photos taken for organizations and schools such as Immaculata College, and local events such as St. Patrick’s Day parades. Halvey once said, “I think many of my pictures will last long after I’m gone,” and PAHRC intends to digitize the negatives to fulfill this prediction. St. Patrick's Day Parade, 1957   Luciano Pavarotti and the late Cardinal Bevilacqua, 1989 Young girl with The Catholic Standard and Times, 1958 The collection currently consists of 39 archival boxes filled with envelopes of negatives. The various types of negatives in the collection demonstrate how the photographic process evolved throughout Halvey’s career.  With the exception of several early glass negatives, the collection contains primarily cellulose acetate film, or safety film.  These negatives are in 4×5 single sheets and 3×5 35mm or 7.5×1.5 70mm strips. Safety film is named for its inflammability, but is nonetheless unstable and subject to deterioration.  This makes reformatting the images crucial to their preservation. The first step in preparing the photographic negatives for digitization was getting an estimate of the number of images, or negatives, in the collection. Due to the large size of the collection, another volunteer, Gillian Grady, and I used sampling to accomplish this task. After counting the number of envelopes in each box, we counted the number of negatives in a sample population of envelopes, as each envelope contains a sometimes vastly different number of negatives. Based on the results, we can reasonably estimate that the collection has approximately 350,000 negatives. Our next step is to begin cataloging the images using Past Perfect. Stay tuned for more blog posts about this project! Sources: Baldwin, Lou. “Today’s Picture – Tomorrow’s History.” The Catholic Standard and Times [Philadelphia] 5 Feb. 2004: 3, 29. Valverde, Maria F. Photographic Negatives: Nature and Evolution of Processes. Rochester: Image Permanence Institute, 2004.

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Wed, 04 Apr 2012 15:29:00 -0500 http://www.pahrc.net/index.php/digitizing-the-halvey-photograph-collection-step-one/?utm_source=rss&utm_medium=rss&utm_campaign=digitizing-the-halvey-photograph-collection-step-one
Most used Princeton theses http://www.dvarchivists.org/wire/items/view/640 Dear Mr. Mudd, I was wondering what is the most popular/most requested senior thesis in the University Archives collection?This is a perennial question and the short answer is that with the exception of celebrity alumni theses, there are few theses that are pulled with any regularity, yet the collection as a whole is our most used collection within the University Archives.  Last year over 1,000 theses were viewed by visitors--mostly Princeton undergraduates--to the Mudd Library, which accounted for about 1/4 of all Archives materials circulated.

Wendy Kopp's thesis is always among those requested by remote researchers--that is, those who do not visit the library in person, and whenever a Princetonian makes news or is on a hit show, their thesis is often requested.  In the past, this included Wentworth Miller III (when Prison Break was a hit), David Duchovny (for the X Files) and Dean Cain (Adventures of Lois and Clark), as well as all three now sitting Supreme Court Justices: Samuel Alito, Elena Kagan, and Sonia Sotomayor.The entire theses collection can be searched via this database, and Archives staff are working to make all senior theses available online to the Princeton community starting in 2013.

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Mon, 02 Apr 2012 08:15:00 -0500 http://blogs.princeton.edu/mudd/2012/04/famous-princeton-theses.html
On the Edge of Discovery: IRS is Watching You http://www.dvarchivists.org/wire/items/view/639 Cartes-de-visite (CDVs or photographic visiting cards) were so profitable during the Civil War period that studios sprang up to support the high demand. In West Chester alone during that time there were  at least 17 studios making CDVs. Their popularity did not go unnoticed by the IRS.  This newly created office was looking for luxury items to tax to fund the defense of the Union.  According to an Act of June 30, 1864 all CDVs, watches, pianos, carriages and silver plate were taxed.   Back of a CDV showing tax stamp dated 1865 and photographer's logo.Every photographer was required to register with the IRS and pay a $25 license fee. A two cent luxury tax was charged on all CDVs made between August 1, 1864 and August 1, 1866. According to the law, a stamp was to be affixed to the back of each CDV with the photographer’s initials and date cancelling it. Not every photographer added this useful information – many simply marked an “X” or did not inscribe it.  These tax records are extremely useful for researching photographers during that period.  A CDV mount with pre-printed frame for the tax stamp. West Chester photographer Eber Woodward’s income made a steady climb during the Civil War years as every soldier and his family needed to exchange CDVs.  Woodward had begun his career as a daguerreotypist and ambrotypist in 1854. He adapted his business to public tastes and made “plain photographs” and the popular CDV in the 1860s.  According to the IRS Assessment list for 1863-64 Woodward’s income was $118.  In 1864-65 his income increased to $538, in 1865-66 to $1082 and in 1866 to $1680!  In 1865 Woodward, was cited by the IRS for failing to affix the tax stamps on the CDVs that he sold.  West Chester Lawyer Joseph J. Lewis was appointed by Abraham Lincoln as Commissioner of the Office of Internal Revenue in the Treasury Department. Lewis was tipped off by a tax collector that Woodward was not affixing the stamps to his photographs. According to a letter in CCHS library dated May 11, 1865 from Lewis to West Chester tax collector William Baker, Woodward had collected the required taxes from everyone, but believed that affixing the stamps marred his photographs. The arm of the law had no sympathy for aesthetics and ordered him to affix the stamps.   A CDV by Woodward with the tax stamp affixed. If you are interested in the IRS tax stamps issued during the Civil War, the CCHS library has a CD made by collector and photo historian Bruce Baryla that gives their whole history or see his website at http://www.pipeline.com/~ciociola/baryla/civilwar.htm Pamela Powell, Photo Archivist

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Fri, 30 Mar 2012 15:43:00 -0500 http://www.chestercohistorical.org/photoarchive/?p=165
University Archives featured in Princeton Alumni Weekly http://www.dvarchivists.org/wire/items/view/638 Every few weeks the Princeton Alumni Weekly focuses one segment of the magazine to highlight items from the Princeton University Archives entitled "From the Vault."  The articles are researched and written by alumnus W. Barksdale Maynard '88 who has been contributing the content to the PAW for 2 years. Mr. Barksdale has also written 2 books which you can see here. The concept of the articles came from Editor Marilyn H. Marks *86 who had an interest in the University Archives which are housed at the Seeley G. Mudd Manuscript Library. http://www.princeton.edu/mudd/The most recent article focuses on a former Princeton alumni who was aboard the Titanic when it sank. http://paw.princeton.edu/issues/2012/04/04/pages/7288/Recently PAW photographer Riccardo Barros and Art Director Marianne Gaffney Nelson came to Mudd to photograph physical items included in the collections for upcoming issues of the PAW.  Here you can see a behind the scene's view of how those articles come to life. 

Keep checking the next few issues of the PAW to see these items explained!!For more about the University Archives click here.

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Fri, 23 Mar 2012 10:25:00 -0500 http://blogs.princeton.edu/mudd/2012/03/university-archives-featured-in-princeton-alumni-weekly.html
On the Edge of Discovery: So What is a Carte-de-visite? http://www.dvarchivists.org/wire/items/view/637 Writing Letters, CDV by T. W. Taylor, West Chester, PA ca. 1864One of the great fads of 19thcentury material culture, the carte-de-visite or CDV was at its zenith in America during the Civil War. The tiny portrait, only 2 ¼ x 3 ½ inches mounted on a card 2 ½ x 4 inches, was an ideal size to fit into a soldier’s pocket and was easy to mail enclosed in a letter. Sales of the CDVs were fueled by the need of every family to hold close their absent members through these handy photographs, as well as collecting portraits of famous people of the day. How did the CDV come about? The custom during the nineteenth century was to present your visiting card when you called on a friend or business associate. People in that era had a basket or silver tray (depending on your status) in the foyer, where the cards were strategically placed, so that other callers could see who your friends were.  Today we have Facebook for that!   A number of ingenious people in Europe came up with the idea of putting a small photograph on the visiting card. In England, the Duke of Parma and Hugh Diamond made photo CDVs, while in France two amateurs, E. Delessert & Count Agaudo had the same idea. But it was Andre Adolpho Eugene Disderi who took out the patent on the carte-de-visite in 1854 and is remembered in the photographic histories.  At first the idea seemed to be a flop, until Disderi took a portrait of Napoleon III and his family which was issued in the carte-de-visite format. Suddenly everyone wanted their own carte-de-visite and the opportunity to purchase ones of the important people of the day.  During that time, portraits of famous people were not readily available to the public in newspapers. Usually portraits were only available through engravings published in books and magazines.  Photographers worked hard to attract famous people to their studios, sometimes paying them for a sitting.  The return was large for publishing portraits of politicians, actors, authors, clergy, artists, scientists, military leaders, abolitionists and the infamous.  It is well known that in England, Queen Victoria was an avid collector of CDVs of all her courtiers.  The photo album was born to fill the need of organizing and displaying CDVs. No Victorian home was complete without a photo album displayed prominently in the parlor. Pennock-Coates Family Album. Dewees Roberts on the right and his sister, Mrs. Charles Coates with her children Charles & Dewees.  Here at CCHS there are over 200 albums in the collection, filled with CDVs of local people and the world leaders they admired.  The format was not only limited to portraits – in the collection are images of local businesses and churches, famous horses and prize winning swine. The CDV was popular in the U.S. from about 1858 until the turn-of-the century. Unidentified woman and dog, CDV by W.F. Haverstick, West Chester, PA, 1896.   West Chester photographer Nathan Parker advertized in the Chester County Times May 4, 1861 that he had taken portraits of the First West Chester Rifles and the National Guards who left for duty to protect the Commonwealth and gave free photos to the families and sweethearts left behind.  He also advertized for sale photographs of President Lincoln and Governor Curtin. Next blog you will learn more about the photographers who made CDVs during the Civil War years in Chester County. Pamela Powell, Photo Archivist

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Fri, 23 Mar 2012 10:05:00 -0500 http://www.chestercohistorical.org/photoarchive/?p=145
On the Edge of Discovery: Treasures from a Soldier’s Pocket http://www.dvarchivists.org/wire/items/view/636 You always find the most remarkable things when you are not looking for them. While checking through the carte-de-visite collection for some good examples of portraiture during the Civil War period, I came across an image of a little boy that was faded and water stained.  I was amazed by what I saw written on the back. It read: “This Photo was carried through the War by Lindley E. Way From 1862 to 1865.”  Wow! This photo was in Way’s pocket – I wonder what kind of action it had seen?

 I rushed to the newspaper clipping file in the library to find Lindley Way’s obituary published in the Daily Local News, March 7, 1879.  He had served with Co. H. 42nd Regiment Pennsylvania Volunteers which was a company raised out of Kennett Square, PA known as the “Bucktails.”  According to the article, he had seen action in the major battles of the Civil War: Fredericksburg, Gettysburg, Mine Run, Hope Church, Wilderness, Spottsylvania, Bethesda Church, two in Petersburg and at Weldon Railroad he was captured and sent to Andersonville Prison where he spent the rest of the war. While there he became sick with consumption (tuberculosis) which finally caused his death on February 25, 1879.  

Pennington Way, photo by Eber Woodward, West Chester, PA, ca. 1862

Looking at the stained photo again, I thought how often Lindley Way had taken the photo from his pocket and longed for his family at home. The picture of the little boy is his youngest half- brother, Pennington Way. A genealogy titled: Descendants of Robert and Hannah Hickman Way of Chester County, PA, volume I by D. Herbert Way supplied me with an overview of the family history. Way’s father had married a second time after his first wife Eliza Hoopes Way died after giving birth to Lindley. The family lived in Chatham in London Grove Township.  Checking the backs of other Way family CDVs, I discovered seven more with the same inscription! They depicted his father, John Way, his sister Elmira Way Snyder and his half-sister Eliza E. Way, two unidentified young girls, an unidentified woman and a published CDV of Mrs. Stephen A. Douglas! It is possible the young girls were two of his six sisters, the woman could be his step-mother who as 15 years younger than his father. Curious why he carried the published picture of the Washington D.C. socialite Adele Cutts Douglas! It is interesting to note that four of the photographs were taken at Eber Woodward’s studio in West Chester and bear sequential negative numbers.  This indicates that the family was photographed together on the same day – either before Way left to go to war or to be sent as a gift in letters.  Several mysteries, yet to be solved, emerged from the research. According to the Way genealogy, John Way and his first wife were members of New Garden Friends Meeting, their family graves are in the Meeting cemetery. After the war, Lindley married Caroline Bell Darlington at the West Grove Presbyterian Church in 1873. The couple had one daughter named Beatrice in 1877. Does this mean that Lindley was disowned for participating in the war or for marrying out of meeting?  Also conflicting details emerged about Lindley Way’s imprisonment. According to the March 7, 1879 obituary, Deputy Sheriff Baker who served with Way stated that Way had been in Andersonville Prison throughout the war. According to the Way genealogy, Way had also been in Libby and Belle Isle Prisons also.  Bates “History of the Pennsylvania Volunteers” clarified his service record. Way mustered into service in Co. H 42nd PA August 7, 1862 and transferred to Co. H. 190th May 31, 1864. He was taken prisoner August 14, 1864 until March 2, 1865. He was discharged from service May 15, 1865.  Deputy Sheriff Baker told some interesting stories about Way’s bravery during the war in the March 7, 1879 article: “At Spottsylvania he was one of a party of fifteen who dug holes in the sand with their dinner plates, in advance of the lines and for three hours silenced a rebel battery that had been dealing death and destruction in the Union ranks, but were finally driven from their positions by a strong force of rebel infantry.”  He also noted that Way used the Spencer rifle – that was well known as a highly accurate weapon – Way fired it so fast that it became too hot to hold.  Looking at the stained photographs, had these images of his family sustained his spirits while he was imprisoned?  Had they given him the hope and comfort he needed until his release? Certainly this is why each one was documented so carefully, so that those in the future would know just how significant they were to him. Pamela Powell, Photo Archivist

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Fri, 16 Mar 2012 13:36:00 -0500 http://www.chestercohistorical.org/photoarchive/?p=133
Dissertations in Dataspace policy temporarily changed http://www.dvarchivists.org/wire/items/view/635 The Graduate School's policy of having dissertations submitted into DataSpace, the University's Open Access repository, has been changed temporarily, pending resolution of some outstanding questions.  David Redman, Associate Dean of the Graduate School, sent the following message out late today.  If you have any questions, please contact us: Dear Directors of Graduate Studies,       As many of you know, the Graduate School, working with the University Archives, established last fall new procedures for the submission of Ph.D. dissertations to ProQuest.  Two significant changes were:  a) agreeing to use ProQuest’s Electronic Theses and Dissertations (ETD) submission portal, which greatly speeded the ability of students to submit their dissertations; and  b) eliminating the necessity of a second hard-bound copy of the dissertation in favor of storing an electronic copy of the dissertation on Princeton’s DataSpace and making the electronic “second copy” accessible there.  One consequence of the second change was that our students’ dissertations became almost instantly accessible to anyone with a good search engine.  In short, Princeton dissertations were “out there” in the world faster than we had imagined.  This has caused some anxiety and distress among many of our new Ph.D.’s, so much so that we are amending our procedures in the following way.        By the end of this month, we will restrict access to doctoral dissertations in DataSpace to those on the Princeton.edu domain, that is, to on-campus users.        This is an interim and (we hope) relatively short term address to a larger problem of easy and fast access to Ph.D. dissertations at a time when students, particularly those in the humanities and social sciences, are anxious about their opportunities to publish their work and advance in their careers.  The Graduate School has already had preliminary discussion with some members of the Policy Subcommittee about this issue and wants to continue the discussion with them about refining our policies and procedures.         Thank you for your interest in and concern about this issue.  If you have any questions, please do not hesitate to call (x8-3902) or write me (dnredman@princeton.edu).   --David Redman Associate Dean    

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Thu, 15 Mar 2012 16:07:00 -0500 http://blogs.princeton.edu/mudd/2012/03/dissertations-in-dataspace-policy-temporarily-changed.html
The Immaculata Mighty Macs http://www.dvarchivists.org/wire/items/view/634 As a volunteer at PAHRC, I have spent a lot of time cataloging and doing inventory for various collections, one of which is the Robert and Teresa Halvey Photograph Collection, which we hope to digitize soon.  Among these photographs, I’ve come across many images of sporting events and teams, including photographs of the “Mighty Macs.” March is a month of basketball, when NCAA’s championship tournament takes over sports pages and airwaves. But March is also Women’s History Month and at the intersection of these two things, we find Immaculata University, home of the “Mighty Macs.” Forty years ago this month, the women’s basketball team of Immaculata College, as it was known then, won the first women’s national basketball championship and won it again in 1973 and 1974.  This team from a small, Catholic women’s college outside Philadelphia garnered national recognition for women’s basketball and women’s collegiate sports.  The team is still garnering national attention with the 2011 release of the film, The Mighty Macs. Women had been playing collegiate basketball since 1893 but it was only in 1971 that a full court, five player game was officially adopted.  Now men and women were recognizably playing the same sport.  Immaculata still preserved some of the more modest aspects of early women’s basketball.  Their players wore skirts on the court until the 1974-1975 season.  But these women still played aggressively and intensely – running, jumping, and reveling in the opportunity to play hard. Immaculata vs. West Chester, 1974 The 1972 championship team just barely made it into the Association for Intercollegiate Athletics for Women (AIAW) tournament that year. (The NCAA Women’s Division Championship was not inaugurated until the 1981-82 season.) Though the team had a 24-1 record under coach Cathy Rush that year, most people thought the tiny women’s college couldn’t compete at the national level.  But at the tournament in Normal, Illinois, the team won game after game and finally defeated their rival West Chester State (the school that had handed them their single defeat that season) in the championship game with a score of 52-48. Coach Cathy Rush, 1974 The following year, the Mighty Macs repeated their success but with a much bigger audience.  Local sports writers covered the games and the entire Immaculata College community supported the team, including the Sisters, Servants of the Immaculate Heart of Mary who had founded the school. Immaculata vs. Stroudsburg State, 1974 In the 1973-74 regular season, the Mighty Macs were nationally recognized and their games were major sporting events.  They played the first nationally televised women’s basketball game against the University of Maryland.  The team played Queen’s College in the first women’s game in Madison Square Garden. The Macs boasted a 35-game win streak that year and a third national championship. Immaculata vs. Stroudbsurg State, 30th victory, 1974 The Immaculata team was welcomed at Philadelphia International Airport by a crowd of their supporters.  Family, friends, and supporters of the Immaculata community all turned out. Returning to Philadelphia after the team's third straight championship, 1974 The team went on to place second in the AIAW tournament for the next two years and made it to the semifinals in 1977.  Cathy Rush retired from coaching that year and Immaculata’s dominance of women’s basketball waned as public universities, with more money for recruitment and scholarships, began to take over.  The passage of Title IX in 1972 allowed more women than ever to play sports but shifted the spotlight away from the small women’s college in Chester County.  Nevertheless, the women of Immaculata College, both the basketball team and their supporters, proved to the nation that women could play basketball and play it well. The photographs shown here are from PAHRC’s Robert and Teresa Halvey Photograph Collection. Sources: Byrne, Julie. O God of Players. New York: Columbia University Press, 2003. “Remember the Glory Days!, Program for the 25th Anniversary of First National Women’s Collegiate Basketball Championship won by the Mighty Macs of Immaculata College”. Immaculata, PA: Immaculata College, 1997.

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Thu, 15 Mar 2012 12:55:00 -0500 http://www.pahrc.net/index.php/the-immaculata-mighty-macs/
Scholarship Available for Graduate Students http://www.dvarchivists.org/wire/items/view/633 Lynd Ward, acrylic painting on Japanese paper. Cotsen Children's Library.The Friends of the Princeton University Library Prize forOutstanding Scholarship by a Princeton Graduate StudentFirst Prize: $1,500 + PublicationSecond Prize: $500 + PublicationCompetition for Essays Written in the 2011-2012 Academic YearThe Council of the Friends of the Princeton University Library invites students enrolled in all departments of Princeton University's Graduate School to compete for the Prize for Outstanding Scholarship by a Graduate Student. First and second prizes will be awarded for essays based on research in one or more divisions of the Library's Department of Rare Books and Special Collections--Cotsen Children's Library, Graphic Arts, Historic Maps, Manuscripts, Numismatics, Public Policy Papers, Rare Books, University Archives, Western Americana--and/or in the associated Scheide Library, Marquand Library, and East Asian Library. Essays of all lengths and on all topics will be considered. To be eligible, authors must be enrolled in a Princeton University graduate program in the academic year 2011-2012. Essays will be judged on scholarly merit and creative use of Special Collections materials.The winners will be announced on October 15, 2012, and the winning essays will be published in a forthcoming issue of the Princeton University Library Chronicle.To enter an essay in this competition, send one copy (file attachment or printout) and a completed application form to: Gretchen Oberfranc, Princeton University Library Chronicle, Department of Rare Books and Special Collections, Firestone Library. (Electronic submissions may be sent to goberfra@princeton.edu.) Application forms are available online at http://www.princeton.edu/~rbsc/new/application-12.pdf. Entries may be sent at any time but must be received by August 17, 2012. For further information, call 609-258-7093 or write or send e-mail to Ms. Oberfranc.

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Wed, 14 Mar 2012 08:15:00 -0500 http://blogs.princeton.edu/mudd/2012/03/scholarship-available-for-graduate-students.html
Additional ACLU Collections Available http://www.dvarchivists.org/wire/items/view/632 There are now 3 more American Civil Liberties Union finding aids available online and accessible to the public:   Series 2: Project Files http://arks.princeton.edu/ark:/88435/x346d492c   The Project Files series contains the records of twelve of the ACLU's projects, which each addressed an area of civil liberties violations. Project records typically consist of case files, research files, project publicity correspondence. The best documented projects are the Children's Rights Project Women's Rights Project, to a lesser extent the Arts Censorship Project, Capital Punishment Project, Reproductive Freedom Project.   Series 3: Subject Files http://arks.princeton.edu/ark:/88435/9c67wn57b   The Subject Files series contains articles, reports, court documents, and other materials collected by the ACLU during the course of their work. The main subjects are drugs, homelessness, and Supreme Court nominations, largely of Robert Bork. Other significant subjects in the series include campaign finance, discrimination, environmental equity and racism, school pension plans, state constitutions, and welfare.   Series 4: Legal Case Files http://arks.princeton.edu/ark:/88435/00000076j The Legal Case Files series documents the ACLU's involvement in litigation, ranging from files collected on cases for research purposes to records of cases they were significantly involved in. The records include documents filed with the court, correspondence, lawyer's notes, depositions and expert testimony, transcripts of the trials, newspaper clippings, and research materials on the background of the case and legal precedent. The Legal Case Files series contains records about over 1,500 cases, with the majority being files collected on non-ACLU cases for research on the broad range of civil liberties which the ACLU investigates. Common subjects include the separation of church and state, public education, racial and sexual discrimination, injustice in the legal system, illegal surveillance and search, and protecting the freedom of speech and expression, as well as politics and voting, information access and privacy, fair employment and health care practices, and immigration. Cases which are particularly well documented include Carlos Rivera v. John Rowland about the public defender system in Connecticut and three cases about public education: Brown v. Board of Education, Charlet v. Legislature of Louisiana, and Harper v. Hunt.For more information about the ACLU collections check out our recent post:http://blogs.princeton.edu/mudd/2012/03/american-civil-liberties-union-records-new-series-available.html-Adriane Hanson

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Tue, 13 Mar 2012 08:25:00 -0500 http://blogs.princeton.edu/mudd/2012/03/additional-aclu-collections-available.html
Photo Archives seeks photos of USCT Soldiers http://www.dvarchivists.org/wire/items/view/631 Chester County Historical Society is seeking images of African American Civil War soldiers either in uniform or civilian dress for display in the On the Edge of Battle exhibition this fall. We are creating a wall of images of soldiers and the people of Chester County for the exhibit; we would like to copy your originals for the display.  Unidentified African American Soldier, from a carte-de-visite ca. 1864 from the Boyer Family AlbumAccording to Douglas Harper’s Index to Chester County Soldiers and Sailors there were 126 Chester County men who enlisted in the United States Colored Troops and the Massachusetts 54th in 1863. Our researchers are finding more names to add to the list. Chester County Veterans Cemetery list in the CCHS Library reveals about 260 men who served in the Colored Troops who were buried here.  A listing of these individuals is being compiled and is available in CCHS library. We hope to add more information and photographs of these individuals.  Many of the family names are familiar in Chester County such as Spriggs, Jay, Glasgow, Proctor and Purnell. Many had interesting lives after the war, such as Benjamin L. Whipper who became the first black policeman in the Borough of West Chester. Whipper was the cook for Col. Guss’s 97th Regiment of the Pennsylvania Volunteers. In 1863, he enlisted in the USCT 127th Regiment Co.D.  Please contact Photo Archivist Pamela Powell if you have any information or images to contribute at photo@chestercohistorical.org or call 610-692-4800.  Your participation is greatly appreciated!

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Fri, 09 Mar 2012 13:54:00 -0600 http://www.chestercohistorical.org/photoarchive/?p=127
American Civil Liberties Union Records: First New Series Available http://www.dvarchivists.org/wire/items/view/630 Researchers can start using some newly open American Civil Liberties Union Records ahead of schedule!  Series 1: Organizational Matters is now open for research by using the following finding aid.  http://arks.princeton.edu/ark:/88435/x346d492cThis series is part of an ongoing two-year project funded by the National Historical Publications and Records Commission to process 2,500 linear feet of ACLU records, largely from 1970 to 2000.  Each series will be made available as processing is completed, with the entire project scheduled to end on July 1, 2012.  Look for Series 2: Project Files and Series 3: Subject Files to be made available in April.Series 1: Organizational Matters documents the inner workings of the ACLU. These records take you behind the scenes as individuals at the national office, regional offices, and affiliates negotiate the ACLU's official position on emerging civil liberties issues.  Executive Director Ira Glasser's papers shed light into the complicated management of one of the nation's preeminent civil liberties organizations.  Within the correspondence, meeting minutes, and position papers, you can see the ACLU shape strategies to try cases, combat restrictive legislation, and mobilize public opinion to support the ACLU's interpretation of the U.S. Constitution.  At 472 linear feet, this series holds a wealth of potential for anyone looking at a late 20th century civil liberties issue or the U.S. policy-making process.The public is welcome to visit the Mudd Library to conduct research within these materials. For more information on the ACLU collections, search our finding aids, and you can always get help by emailing us at mudd@princeton.edu.--Adriane Hanson

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Mon, 05 Mar 2012 08:00:00 -0600 http://blogs.princeton.edu/mudd/2012/03/american-civil-liberties-union-records-new-series-available.html